Associate Professor of Egyptology; Director of the Griffith Institute; Fellow of St Cross
Faculty / College Address:
Oriental Institute / St Cross College
- Ancient Egyptian self-presentation, including biographies, graffiti, and visual representation
- Sacred space and landscape
- Social structure and organization
My research centres on the self-presentation of Egyptian non-royal people in the Old Kingdom through to the early first millennium BCE, with an emphasis on the late New Kingdom and Third Intermediate Period. This involves the interpretive analysis of textual sources, particularly non-royal monumental inscriptions and graffiti, and encompasses their broader physical settings, including image, media, architectural space, and landscape. My forthcoming monograph focuses on biographical texts of the late New Kingdom and explores how individuals fashioned distinct selves within different spatial contexts. I also work with the Centre Franco-Égyptien d’Étude des Temples de Karnak to edit and publish graffiti and secondary inscriptions in the temple of Amun-Re at Karnak (co-directed with Chiara Salvador; photographer and epigrapher: Ellen Jones). This work began with the temple of Ptah, in the northern part of the complex, and we are now also working to publish the eighth pylon.
- Biography and Presence
- Karnak Graffiti Project, co-directed with Chiara Salvador and in collaboration with the Centre Franco-Égyptien d’Étude des Temples de Karnak (2010–)
1) ‘Graffiti and Secondary Inscriptions in the Temple of Ptah’: part of the publication of the Ptah temple, under the directorship of Christophe Thiers: http://www.cfeetk.cnrs.fr/accueil/programmes-scientifiques/axe-2-les-secteurs-peripheriques/le-secteur-du-temple-de-ptah/
2) ‘The Eighth Pylon of the Temple of Amun-Re’: co-director with Sébastien Biston-Moulin (2013–): http://www.cfeetk.cnrs.fr/accueil/programmes-scientifiques/axe-1-pouvoir-et-marques-de-pouvoir-a-karnak/axe1-theme5/
- Contextualising the Sacred: Sacred Space and its Material Culture in the Near East and Egypt 1000 BC – AD 600, Brepols. Series co-director and co-editor with Rubina Raja, University of Aarhus. Proposals are welcomed. More information can be found at the project website: http://projects.au.dk/contextualizing-the-sacred/
- History, culture, and archaeology of Dynastic Egypt
- Egyptian art and architecture
- Egyptian artefacts and material culture (classes held in the Ashmolean Museum)
- Old, Middle, and Late Egyptian language and texts
in preparation. Elizabeth Frood and Chiara Salvador, with contributions by Didier Devauchelle, Ghislaine Widmer, and Claude Traunecker. Le temple de Ptah à Karnak 3. The graffiti and secondary inscriptions. Travaux du CFEETK. Cairo: IFAO.
in preparation. Biography and presence in late New Kingdom Egypt. Studies in Egyptology and the Ancient Near East. London: Equinox.
2007. Biographical texts from Ramessid Egypt. Writings from the Ancient World 26. Atlanta: Society for Biblical Literature.
Julie Stauder-Porchet, Elizabeth Frood, and Andréas Stauder, in press (2020). Ancient Egyptian Biographies: contexts, forms, functions. Wilbour Studies in Egyptology and Assyriology 6. Lockwood Press.
Chloé Ragazzoli, Ömür Harmansah, Chiara Salvador, and Elizabeth Frood 2018. Scribbling through history. Graffiti, people and places from antiquity to modern times. London: Bloomsbury.
Elizabeth Frood and Rubina Raja (eds.) 2014. Redefining the sacred: religious architecture and text in the Near East and Egypt 1000 BC – AD 300. Contextualising the Sacred 1. Turnhout: Brepols.
Elizabeth Frood and Angela McDonald (eds.) 2013. Decorum and experience: essays on ancient culture for John Baines. Oxford: Griffith Institute.
Articles and chapters
forthcoming (submitted). Biographical monuments: displaying selves and lives in ancient Egypt. In The Oxford handbook of ancient biography. Edited by Koen de Temmerman. Oxford: Oxford University Press.
Elizabeth Frood and Christelle Alvarez 2020. A votive Isis-throne for Minmose (Ashmolean Museum AN 1888.561)? Journal of Egyptian Archaeology 105 (2).
2019. When statues speak about themselves. Pages 3-20 in Statues in context: production, meaning and (re)uses. Edited by Aurélia Masson-Berghoff. British Museum Publications on Egypt and Sudan 10. Peeters: Leuven.
2016. Role-play and group biography in Ramessid stelae from the Serapeum. Pages 69-87 in Rich and great: studies in honour of Anthony J. Spalinger on the occasion of his 70th feast of Thoth. Edited by Renata Landgráfová and Jana Mynářová. Prague: Czech Institute of Egyptology, Charles University in Prague/Agama.
2015. Temple lives: devotion, piety, and the divine. Pages 316-323 in Egypt: the Egyptian collections of Leiden and Bologna. Edited by Daniela Picchi. Exhibition Catalogue. SKIRA.
Elizabeth Frood and Kathryn Howley 2014. Applications of Reflectance Transformation Imaging (RTI) in the study of temple graffiti. Pages 625–638 in Thebes in the first millennium BC. Edited by Elena Pischikova, Julia Budka, and Kenneth Griffin. Newcastle upon Tyne: Cambridge Scholars Press.
2013. Egyptian temple graffiti and the gods: appropriation and ritualization in Karnak and Luxor. Pages 285–318 in Heaven on earth: temples, ritual and cosmic symbolism in the ancient world. Edited by Deena Ragavan. Oriental Institute Seminars. Chicago: Oriental Institute of the University of Chicago.
2013. Sensuous experience, performance, and presence in Third Intermediate Period biography. Pages 86–108 in Ancient Egyptian literature: theory and practice. Edited by Roland Enmarch and Verena Lepper. London: The British Academy.
2013. Egypt and Sudan: Old Kingdom to Late Period. Pages 90–114 in World archaeology at the Pitt Rivers Museum: a characterization. Edited by Dan Hicks and Alice Stevenson. Oxford: Archaeopress.
Chloé Ragazzoli and Elizabeth Frood 2013. Writing on the wall: two graffiti projects in Luxor. Egyptian Archaeology 42: 30–33.
Some PDFs are available here: https://oxford.academia.edu/ElizabethFrood
Ongoing: Disability Narratives: https://www.diversityprojects.ox.ac.uk/dn
2020: Interview: Ancient Lives, with Dominic Perry. The History of Egypt podcast: https://egyptianhistorypodcast.com/2020/03/20/interview-ancient-lives/
2019: In Our Time: Tutankhamun, BBC Radio 4, Melvyn Bragg with Christina Riggs and John Taylor: https://www.bbc.co.uk/programmes/m000cng6
2019: The Merton Equality Conversation: https://vimeo.com/321789463
2019: Interview for The Project NZ, TV 3: https://www.facebook.com/TheProjectNZ/videos/2281439122175384/
2019: Shining a light. 40 years of women at Queen's College, Oxford: https://www.queens.ox.ac.uk/shining-light
2018: Review: Tyldesley, Nefertiti's Face: https://www.spectator.co.uk/2018/04/the-enduring-enigma-of-nefertiti/
2018: Inside Out South BBC1 mini-documentary: https://www.bbc.co.uk/news/av/uk-england-oxfordshire-45811189/oxford-professor-heads-back-to-egypt-after-losing-legs
2018: Returning to Egypt: http://www.ox.ac.uk/news/arts-blog/returning-egypt-acquired-disability-and-fieldwork
2018: Artistic Licence: 'I was here ... in ancient Egypt' by Bethany White: https://www.ox.ac.uk/news/arts-blog/artistic-licence-i-was-here%E2%80%A6-ancient-egypt
2018: Interview for Oxford Today, Season 2, Episode 4: https://www.oxideradio.live/oxford-today
2018: 'The infection which took my nose and legs': http://www.bbc.co.uk/news/av/uk-england-oxfordshire-42739901/the-infection-which-took-my-nose-and-legs
2017: The Guardian, Your stories of working with disabilities, 'It is wonderful to work and forget my disability': https://www.theguardian.com/careers/2017/feb/25/working-with-disabilities
2017: Acquired disability and reframing fieldwork. Autonomy, Community, Destiny: Reimagining Disability, TORCH Disability and Curriculum seminar series: http://torch.ox.ac.uk/autonomy-community-destiny-re-imagining-disability
2017: The Gaps Between Installation, TORCH: https://www.torch.ox.ac.uk/article/the-gaps-between-0; https://www.torch.ox.ac.uk/article/hidden-stories
2014: In Our Time: Hatshepsut, BBC Radio 4, Melvyn Bragg with Campbell Price and Kate Spence: http://www.bbc.co.uk/programmes/b04n62jx
2013: Griffith Institute videos: 'Griffith Institute 75th Anniversary', 'Conserving Through Copying: 3-D Printing Tutankhamen’s Tomb': http://www.griffith.ox.ac.uk/media/
Current research students:
Jordan Miller (co-supervision with John Baines): The forms and construction of composite images in ancient Egyptian visual culture
James Oakley (Classics: co-supervision with Adrian Kelly): The conquered and the conquerors: representations of warfare and combat in Greek and Egyptian literature
Solène Klein: The protection of the viscera in the early first millennium BCE